{"id":3607,"date":"2017-09-26T20:13:53","date_gmt":"2017-09-26T20:13:53","guid":{"rendered":"https:\/\/www.hamptontheatre.org\/?page_id=3607"},"modified":"2017-11-21T00:36:24","modified_gmt":"2017-11-21T00:36:24","slug":"clever-little-lies","status":"publish","type":"page","link":"https:\/\/www.hamptontheatre.org\/?page_id=3607","title":{"rendered":"Clever Little Lies"},"content":{"rendered":"Sensing from her husband that something is wrong in their son\u2019s marriage, Alice invites the young couple over for a cocktails and cheesecake interrogation. As one set of lies breaks down in this comedy of falsehoods and infidelity, Alice offers an object lesson by creating a new web of fanciful deceit about her own marriage. Or is she telling the truth? \r\n\r\nCharacterized as both shattering and hilarious, \u201cClever Little Lies\u201d is a laugh-filled story of long-term love and marriage, for better . . . and for worse.\r\n\n

GENERAL INFO<\/a><\/p>\n

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October 26 – November 12, 2017<\/h5>\r\n
by Joe Dipietro\r\ndirected by Andrew Botsford<\/h5>\r\n<\/div>\r\n
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WHO'S WHO<\/a><\/p>\n

\n \t\r\nEDWARD A. BRENNAN<\/strong> (Billy) has appeared with the Hampton Theatre Company as Inspector Goole in An Inspector Calls, Angus in The Drawer Boy, Joe Foster in Becky\u2019s New Car, Arbuthnot\/Arundel in The Enchanted April, Chief Bromden in One Flew Over The Cuckoo\u2019s Nest and Ralph in Frozen. His favorite professional acting credits include the title roles in Phantom and Jekyll & Hyde, Javert in Les Miserables, Beast in Beauty And The Beast, Albin (ZaZa) in La Cage Aux Folles, Professor Callahan in Legally Blonde, and Archibald in The Secret Garden. Ed also directed the HTC\u2019s productions of An Act of the Imagination, Deathtrap and I Hate Hamlet. He holds a Master\u2019s degree in Theater and has directed over 60 productions on Long Island.\r\n\r\nCAROLANN DI PIRRO<\/strong> (Jane). A WHB native, Carolann played Anne in The Diary of Anne Frank in HTC\u2019s inaugural production over 30 years ago. Recent credits: Goodwife Doolittle in The Scarlet Letter (Bay Street), Annie in Jim Kingston\u2019s original Priapism (Vail Levitt\/East End Fringe), Wanda in The Baby Dance, Woman in Night and Phyllis in Body Awareness (The Avram). TV: Saturday Night Live (Seasons 19-25), American Dreams (NBC), The Sopranos (HBO). Film: The Confession and The Last Shot, both with Alec Baldwin, LA Film Festival\u2019s Reason Thirteen. Theatre: Productions in NY (EST, NYTW, St. James, LaMama), LA (Malibu Stage, Celebration), London (RSC Almeida), regional theaters: Shelby – Steel Magnolias (Theatre Three), Broad Comedy tours at Caroline\u2019s (NY), The Acme Theatre (LA), Assembly Rooms (Edinburgh, Scotland), Emerson Center (Bozeman, MT), Stuart Street Playhouse (Boston). Carolann shares her love of learning through her company, Di Pirro Tutoring & Test Prep, with her wonderful students across the country. Her favorite roles are those of wife to Joe and mother to Charley. For her p\u00e8re Charlot whom she loves dearly.\r\n\r\nTERRANCE FIORE<\/strong> (Bill, Sr.) is delighted to return to the HTC stage and reunite with Diana Marbury, his former partner in Other People\u2019s Money and now wife in Clever Little Lies. Terry last appeared here in the holiday reading Joy to the World. Other HTC performances include The Enchanted April (Mellersh Wilkins), One Flew Over the Cuckoo\u2019s Nest (Dr. Spivey) and Six Degrees of Separation (Larkin). Other favorites include Love Letters (with Pia Lindstrom and Tony Walton, dir.), Galapagos, the stage adaptation of the Kurt Vonnegut novel, The Diary of Anne Frank at Bay Street Theatre, Tennessee Williams\u2019s In the Bar of a Tokyo Hotel, 110 In The Shade, The Foreigner and Moonlight and Magnolias. Terry has appeared in a range of dramatic readings and radio plays. Film credits include Dark Was the Night, which premiered at the Lincoln Center Scary Movie Festival. Video: Grey Advertising\u2019s award winning The 401K Project, which advocated for a reduction in gun violence. Thanks to his wife Blair for her love and encouragement, and good-spirited tolerance of dinners alone during our rehearsal schedule.\r\n\r\nDIANA MARBURY<\/strong> (Alice\/Set Decor) is pleased to open the Hampton Theatre Co.\u2019s 33rd season with this delightful and multi-layered play. She is especially pleased to tread the boards with this talented group of thespians and take direction from the HTC\u2019s newly elected president, Andrew Botsford. Diana has worn many hats working with the company over the years and the \u201cacting hat\u201d is one of her favorites following closely behind her \u201cdirecting hat.\u201d If you see her wearing her \u201cclean up the highway hat,\u201d toot as you go by!\r\n\r\nJOE DI PIETRO<\/strong> (Playwright). Although he won the Tony Award for Best Book for a Musical in 2010 for Memphis, American playwright, lyricist and author Joe DiPietro is perhaps best known for writing the book and lyrics for the long-running Off-Broadway show I Love You, You\u2019re Perfect, Now Change which opened in 1996 and ran for 12 years (5,003 performances) Off-Broadway at the Westside Theatre. He followed that up with the 1998 comedy Over the River and Through the Woods, which played the John Houseman Theatre for 800 performances over two years. DiPietro made his Broadway debut in 2005 with the Elvis Presley jukebox musical All Shook Up. With Bon Jovi\u2019s David Bryan, he wrote The Toxic Avenger, which opened Off-Broadway on April 6, 2009, which won the Outer Critics Circle Award for Outstanding New Off-Broadway Musical. He also wrote the book for Nice Work If You Can Get It starring Matthew Broderick and Kelli O\u2019Hara, which opened at Broadway\u2019s Imperial Theatre in 2012. Clever Little Lies ran in late 2013 at George Street Playhouse and debuted in New York\u2019s Westside Theatre in 2015 with Marlo Thomas and Greg Mullavey. Thomas and Mullavey played the same roles in a production of Clever Little Lies at Guild Hall in East Hampton in summer 2014. \r\n \r\nANDREW BOTSFORD<\/strong> (Director) Most recent directorial assignment was the HTC production of Theresa Rebeck\u2019s Dead Accounts in January 2016. He has appeared on stage in more than 40 Hampton Theatre Company productions since 1985, most recently as three different characters in Michael Frayn\u2019s Alarms and Excursions. He is the host of a summer film commentary program at the Westhampton Beach Performing Arts Center and co-hosts the annual Hamptons Take 2 Documentary Film Festival in Sag Harbor. Andrew is also a visiting associate professor in the Graduate Arts program at Stony Brook Southampton, where he has continued to pursue studies in playwriting, acting and directing.\r\n\r\nSEAN MARBURY<\/strong> (Set Designer) has worked in textile design, built sets for TV series, commercials, and films and worked with the design, engineering and fabrication of race car components. He currently works on high end residential construction. His set designs for HTC include Deathtrap, Other People\u2019s Money, Other Desert Cities, The Foreigner, Harvey, Time Stands Still, November, An Act of the Imagination and Alarms and Excursions.\r\n\r\nSEBASTIAN PACZYNSKI<\/strong> (Lighting Designer) has designed all the company\u2019s productions since 2004 as well as the theater\u2019s lighting system. He has designed lighting for theater, dance and special events in a number of Broadway, Off Broadway, Off Off Broadway and regional venues. He has also worked in film and television as the director of photography. He has designed numerous productions for Guild Hall and for the Hamptons Shakespeare Festival. \r\n\r\nTERESA LEBRUN<\/strong> (Costume Designer) is the resident costumer for HTC. She started helping with costumes in 1986 and has designed the costumes for all the company\u2019s productions since 2005. Teresa also costumes for Center Moriches and Westhampton Beach High Schools. She is happy to be working with Andrew again and this amazing cast. Much love to her boys, Josh and Noah, family and great friends.\r\n\r\nWALLY MARZANO-LESNEVICH<\/strong> (Rehearsal Stage Manager) A recent transplant to the Hamptons, Wally is thrilled to be working with HTC. Much thanks to Andrew; this terrific company; everyone at HTC; his lovely grad school fiancee, Lindsay; his S.M. professor, Carol Thompson; and Jenna. He has numerous theater credits as an actor, producer and director, in NJ, NYC, and ACK. His debut feature as a screenwriter\/actor\/producer, Almost Paris, premiered at the \u201816 Tribeca Film Festival, and will be released in January by Freestyle Digital Media. Twitter: @wallyml \r\n\r\nAMANDA GRIEMSMANN<\/strong> (Production Stage Manger) Is thrilled to be stage managing her first HTC production! She was most recently seen last season as Holly Adams in An Act of the Imagination and Bec in 4000 Miles. She just finished shooting a short film called The Journey in Manhattan playing the leading role. This past summer she assistant directed Legally Blonde the musical with the Quogue Junior Theater Troupe. Lots of love to friends and family! Very special thanks to Andrew for believing that she can do this! Always \u201cGive \u2019em hell!\u201d\r\n\r\nMARYAM DOWLING<\/strong> (Lighting & Sound Technician) has done lighting and sound for 23 years with various theater groups on the East End. Maryam has also helped Sebastian with lighting setup at Guild Hall, the Ross School, and other local venues. This is Maryam\u2019s eighth season with the Hampton Theatre Company and she is very happy to be part of the show and the company.\r\n\n <\/div>\n

PRODUCTION STAFF<\/a><\/p>\n

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\r\nDirector\r\nANDREW BOTSFORD<\/strong>\r\n\r\nSet Design\r\nSEAN MARBURY<\/strong>\r\n\r\nLighting Design\r\nSEBASTIAN PACZYNSKI<\/strong>\r\n\r\nSet Decor\r\nDIANA MARBURY<\/strong>\r\n\r\nCostume Design\r\nTERESA LEBRUN\r\n\r\nRehearsal Stage Manager\r\nWALLY MARZANO-LESNEVIC<\/strong>\r\n\r\nProduction Stage Manager\r\nAMANDA GRIEMSMANN<\/strong>\r\n\r\nSet Construction\r\nSEAN MARBURY, CARLOS BUENO, WILLY GARCIA, PATRICK McGLONE, SEAMUS NAUGHTON<\/strong>\r\n<\/div>\r\n\r\n
\r\nSound Design\r\nANDREW BOTSFORD, SEAMUS NAUGHTON <\/strong>\r\n\r\nLighting\/Sound Tech\r\nMARYAM DOWLING, SEAMUS NAUGHTON<\/strong>\r\n\r\nBox Office\r\nLISA CARR\r\n\r\nProduction Graphics\r\nJOE PALLISTER – DESIGNINGJOE<\/a><\/strong>\r\n\r\nHouse Manager\r\nJULIA MORGAN ABRAMS<\/strong>\r\n\r\nProduction Photographer\r\nTOM KOCHIE<\/strong>\r\n<\/div>
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REVIEWS<\/a><\/p>\n

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‘Clever Little Lies’ Offers Laughter With A Splash Of Reality<\/h3>\r\n\r\nBy Lorraine Dusky\r\nThe East Hampton Press and The Southampton Press<\/strong>\r\n\r\n\u201cKnow your audience\u201d is good advice for anyone and is especially true of regional theater. The Hampton Theatre Company zeros in astutely with its choice of Joe DiPietro\u2019s \u201cClever Little Lies\u201d to open its 33rd season.\r\n\r\nThe audience in Quogue is largely made up of the 50-plus crowd who are, as they might say about each other, \u201ccomfortably fixed.\u201d But no matter how seemingly swell everyone\u2019s life is, there\u2019s always something.\r\n\r\nSuch is the case with the four characters\u2014suburban mom and dad, their adult son and his wife\u2014in \u201cClever Little Lies\u201d that lets the something go down gently as an errant feather falling to the ground. The something starts out as the steamy \u201cI\u2019m-in-love\u201d affair the son, Billy, is having with a 23-year-old personal trainer at his gym, a \u201cstunningly gorgeous optimist\u201d adorably named Jasmine. Sex has never been so fantastic; by contrast, when his wife (Jane, as in plain) services him, it\u2019s as if she\u2019s a martyr like Joan of Arc, he whines. Why stay married when there is someone younger and hotter waiting at the gym? Ah yes, infidelity is universal and can always be mined for humor.\r\n\r\nYet before the end of the play, the something will turn into a bittersweet remembrance from Mom that touches her own marriage. Goodbye comedy, hello drama. In the hands of Hampton Theatre Company stalwart Andrew Botsford, the result is funny, knowing theater that is as cozy as a comforter and a hot toddy on a cold night. You laugh, and then you might even get a damp eye remembering that fleeting someone who was the something in your own life.\r\n\r\nThe archetypes of the cast could have been plucked directly from the audience: Mother Alice (Diana Marbury) owns a trendy bookstore selling F. Scott Fitzgerald T-shirts and \u201cSixty Shades of Grey\u201d rather than anything resembling literature; Bill Sr.\/Dad (Terrance Fiore) is an attorney, as is his philandering son Billy (Edward A. Brennan), whose wife (Carolann DiPirro) is a satisfied new mom, a medical editor on extended leave after having a baby.\r\n\r\nOne of the funniest bits occurs in the opening scene, set in a gym locker room, as the son reveals to his father that even before his daughter was born, he began looking to Jasmine for solace and, lo, the bam-bam-bam animal sex that ensued is making him think divorce. Not what his dad expected or wants to hear! Mr. Fiore as the father has just the right mix of curiosity and dismay: Tell me what\u2019s wrong, Son. Oh! \u201cStop, stop\u2014I said stop!\u201d\r\n\r\nThe first two thirds of the one-act play are pretty much banter and comedy, though the young wife\u2019s situation is teetering; but you know she will end up just fine because\u2014well, it\u2019s that kind of play.\r\n\r\nThe four actors dance lively through this oft-told tale of love, marriage and adultery without losing a laugh line or, as it happens, any of the poignancy from Alice\u2019s reveal late in the story when it makes a hard left into drama. Love is ruthless, she says\u2014but here the sting is quickened by occasional jokes that happily stray in. I\u2019ll not explain further because knowing will squander the piquancy of the moment.\r\n\r\nMs. Marbury, seen frequently on the Quogue stage, has a voice that shows the signs of age, but that quavering quality here amplifies the tenderness of her musing.\r\n\r\nI\u2019ve seen this play with Marlo Thomas in that role, and found \u201cClever Little Lies\u201d quaintly tedious and irksome, like a creaking door; the bookstore jokes obvious, the plot seemingly ho-hum, the ending foreseen, but here in Quogue it felt infused with new life. With Ms. Thomas as Alice it felt as if playwright Mr. DiPietro (whose credits include the perennial \u201cI Love You, You\u2019re Perfect, Now Change\u201d) wrote it to give her a star turn off-Broadway, where it ran for several months.\r\n\r\nHere under the smart direction of Hampton Theatre Company\u2019s newly-elected president, Mr. Botsford, \u201cClever Little Lies\u201d is a true ensemble performance, and provides much more enjoyable entertainment. Whether the script changed or not, I do not know, but even the writing seemed snappier and more amusing than remembered.\r\n\r\nThe set decor by Ms. Marbury (who typically does the company\u2019s sets) is once again faultless, straight out of a shelter magazine. A second scene in a car, as the young couple drive to Mom and Dad\u2019s house, is a nice touch.\r\n\r\nEven at the back of the Quogue Community Hall where Hampton Theatre Company holds forth, you didn\u2019t miss a line\u2014except when everyone was laughing. And the audience laughed so long at some of the lines you missed the next one.\r\n\r\nBut never mind, my spouse of many years and I were chortling along with them. And when at the end Bill Sr. said, \u201cThere\u2019s only here for me,\u201d I gave him a squeeze.\r\n\r\n
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CLEVER LITTLE LIES presented by the Hampton Theatre Company<\/h3>\r\n\r\nby Melissa Giordano\r\nBroadwayworld.com<\/strong>\r\n\r\nKicking off their exciting 33rd season, the Hampton Theatre Company (HTC) offers a stellar production of Joe DiPietro’s hit off-Broadway comedy Clever Little Lies. We certainly need a good laugh in these worrisome times and the outstanding cast of HTC vets deliver resoundingly. Excellently directed by Andrew Botsford, the show runs until November 12th at the adorable Quogue venue.\r\n\r\nThe sidesplitting one-act tale follows Billy, superbly portrayed by Long Island theatre vet Edward Brennan, as he tries to cover up an extramarital affair. One he at least seems to feel bad about being his wife just gave birth to their first child. Several twists and turns abound once both of Billy’s parents find out. Actually, Billy confided to his father, but his mother figures it out and leaps into action to help.\r\n\r\nThe ensemble company is truly top notch. Carolann Di Pirro wonderfully portrays Billy’s wife Jane. They make a great team as stage husband and wife bickering and getting on each other’s nerves. His nerves the frustration of being in love with two women and not knowing what to do and her nerves being a new mother. In the attempt to help them with their troubles, Billy’s mother and father have them over for an evening, which is where the bulk of the story takes place in the gorgeous living room of the parent’s house. Terrance Fiore portrays Billy, Sr. and I dare say he receives the most laughs from the enthusiastic audience. And HTC Artistic Director Diana Marbury superbly portrays Billy’s well-meaning mother Alice without coming across as annoyingly overbearing as Alice tries to help her son.\r\n\r\nOn the creative team, Sean Marbury’s set is a highlight with Ms. Marbury coordinating the set d\u00e9cor. The first scene we see is a beautiful very hamptons-esque locker room going into a car ride scene which is smartly done. The living room is light and airy with a plush couch and station for mixing drinks. This is enhanced beautifully by Sebastian Paczynski’s lighting with the sound design by Mr. Botsford & Seamus Naughton. Side note: you’ll also notice slightly extended scene changes which is worth it for this visually stunning production.\r\n\r\nAnd so, Clever Little Lies is indeed a boffo start to the Hampton Theatre Company’s current season. A zany tale and clever cast make for an entertaining night of theatre.\r\n\r\n\r\nClever Little Lies is presented by The Hampton Theatre Company at the Quogue Community Hall in Quogue, Long Island, through November 12th. For more information and to perchance tickets, please call 631-653-8955.\r\n\r\n
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Fall Theater Review: Hampton Theatre Company\u2019s “Clever Little Lies”<\/h3>\r\nby TJ Clemente\r\nhamptons.com<\/strong>\r\n\r\nClever Little Lies, a play written by Joe DiPietro and produced by the Hampton Theatre Company, is now playing at the Quogue Community Center. Go see it! You will laugh, you might squirm a bit, but you will be entertained and leave glad you saw this show. Why? Because Director Andrew Botsford has used his skills and talent to make this contemporary show, with a small cast of four, come together. They create the best of what a theatre experience can and should be. \r\n\r\nIn its 33rd season, the Hampton Theatre Group’s first show, Clever Little Lies, is a winner. The coziness of the Quogue Community Center always adds something to all the productions I have attended there. The venue has an authentic distinctive panache. The energy of the venue is positive, with a touch of the best of Americana that the East End of Long Island always delivers. The audiences are always attentive and sophisticated. \r\n\r\nDiana Marbury (Alice) is brilliant. She is the glue\/grease\/energy that propels this show to more than just a local community theater production and into something special. The last time I reviewed Clever Little Lies, it was produced at Guild Hall in July of 2014. Marlo Thomas played the lead role of Alice to much fanfare. Quite frankly, Diana Marbury brings more layers of depth to that role in this production. Her timing, her movement, and her clear various modulations of her lines gives the other three actors in the show the space to breath, to shine and come together as a cast. Diana Marbury gives quite a performance. \r\n\r\nPlaying Alice’s husband, Bill Sr., is Terrence Fiore, who deserves a huge share of accolades too. I must admit he played Bill Sr. in such a touching and endearing way, that at times I thought I was watching William Frawley doing his brilliant Fred Mertz from the I Love Lucy days. Terrence Fiore’s comedic timing and delivery of his punch lines are that good. Director Botsford no doubt played a hand in bringing out the best of Diana Marbury and Terrence Fiore. They both are excellent under the lights of this production. \r\n\r\nCarolann DiPirro who plays daughter-in-law, Jane, and Edward Brennan who plays son, Billy, are endearing to the audience. Their performances are notable and convincing. They have many good moments, yet I believe DiPietro’s playwriting reigns in the scope of what they can do with their lines. I believe the power behind the dynamics of the show ascends from the life experience of the parents and their view of the circle of life, along with a touch of Aristotle’s views on the concept of “happiness” and what is “happy.” All this is achieved while the playwright is taking dead aim at the dynamics of marital infidelity. \r\n\r\nBehind every stage production is the contribution of many. I will mention a few. Sean Marbury, I love your set design and also kudos to Diana Marbury for set decor. Sebastian Paczynski, bravo for your lighting design, as well as a job well done to costume designer Teresa Lebrun. \r\n\r\nFinally I must mention that although Clever Little Lies is a one-act play, there are blackout scene changes that will dazzle you. The transformation of the stage, done in total blackout, in total silence creates a magical effect. The change from the men’s tennis locker room to the home living room is just amazing. The show closes Sunday, November 12, somehow please get there to see this production of Clever Little Lies. It is that good. \r\n\r\n
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The End of the Affair\r\nSkewering contemporary marriage<\/h3>\r\n\r\nby Kurt Wenzel \r\nThe East Hampton Star<\/strong>\r\n\r\nEdward A. Brennan and Carolann DiPirro star in \u201cClever Little Lies\u201d at the Hampton Theatre Company in Quogue. Tom Kochie\r\nAttention local theatergoers: For those thinking of seeing just one show this fall, look no further than \u201cClever Little Lies,\u201d running now through Nov. 12 at the Hampton Theatre Company in Quogue. Joe DiPietro\u2019s 2013 comedy-drama is an exploration of contemporary marriage, and, as directed by Andrew Botsford, this new production is both hilariously funny and laden with genuinely stinging dramatic barbs. \r\n\r\nMuch of the humor comes from the familiarity of the characters, all of whom will be easily recognizable to Hamptons audiences. As the play opens, a father and a son, both lawyers, talk in the locker room of a health club where they have just finished a set of tennis. When Bill Sr. (played by Terrance Fiore) gently teases his son, Billy (Edward A. Brennan), about having beaten him, Billy admits to being distracted. His wife has just had a new baby, after all, and he is stressed at work. And, oh yes, he is having an affair with a 23-year-old personal trainer. \r\n\r\nThe father is appalled and demands his son end the affair immediately, but Billy is sodden. \u201cIt\u2019s like she has a window into my soul,\u201d he argues without irony; Bill Sr.\u2019s knowing glance reminds us the window she has to Billy is more likely some where south of his heart. \r\n\r\nOff we go then to John Cheever land, as Billy\u2019s parents invite him and his wife to their comfortable suburban home for drinks in an effort to intercede in their marriage. Here we are introduced to Billy\u2019s mother, Alice, a bookstore owner who laments popular fashion, declaring the \u201cFifty Shades of Grey\u201d series unreadable. How does she know this, asks Bill Sr.? Because she\u2019s read them all, Alice announces. \r\n\r\nExpertly played by Diana Marbury, Alice is a woman of wit and observation, relating how in her own store\u2019s cafe patrons flip through trashy novels while sipping coffee from mugs adorned with pictures of Charles Dickens; they want the cachet of culture without the commitment. \r\n\r\nCheesecake is served, alongside copious amounts of Scotch whiskey. Alice passes on dessert \u2014 \u201cI\u2019m saving my calories for alcohol,\u201d she says \u2014 and the dialogue moves smoothly from the joys and sorrows of child rearing to those of marriage, though not without interruptions. The baby (on monitor from the bedroom, of course, for this most contemporary of couples) cries intermittently, while Billy\u2019s cellphone keeps ringing \u2014 his baby-doll mistress won\u2019t leave him alone.\r\n\r\nThere is a hilarious sequence when Alice grabs the cellphone from her son\u2019s hand during one of these calls and then can\u2019t shut it off \u2014 she\u2019s as incompetent with technology as she is hostile to it. The expectation, of course, is that this is where the daughter will learn of the affair, and the bloodletting will begin. But Alice manages to finally turn it off, setting the stage for her long monologue on infidelity. She herself, Alice dramatically announces, had an affair years ago. \r\n\r\nOne of the conceits of \u201cClever Little Lies\u201d is that the audience doesn\u2019t know whether Alice\u2019s long recounting of her past affair is true, or just a fiction she has concocted to dissuade her son from continuing his dalliance. If the latter, then Bill Sr. is in on the game as well, looking wounded and swilling his Scotch on cue when Alice\u2019s story grows erotic. \r\n\r\nThat Bill Sr.\u2019s reaction works both as truth and fiction within a fiction is a tribute to Terrance Fiore, whose work here is pitch perfect in every way. Mr. Fiore\u2019s relaxed, grounding performance finds both the sharp sense of irony and the forgiving humanity in his character. He is the anchor for what is already a superlative cast, which includes Edward A. Brennan, who finds both the callowness and the heart in Billy, and Carolann DiPirro as his wife, Jane, impossibly likable even when her neurotic obsession with her newborn is revealed as her own brand of narcissism. \r\n\r\nIs the ending of \u201cClever Little Lies\u201d a little tidy? Perhaps. Along the way, however, the dialogue in Joe DiPietro\u2019s play is so sharp and funny, and the acting here so spot-on, that it hardly matters. This production is regional theater at its best, right down to Sean Marbury\u2019s set design, which recreates a cozy contemporary home so familiar that many in the audience may think they are looking directly into their own living rooms. \r\n\r\nIt is one more detail in what stands out as one of the most successful Suffolk County productions in recent memory.\r\n\r\n\n <\/div>\n

AUDIENCE COMMENTS<\/a><\/p>\n

\n \t\r\nWhat a fabulous show! \u00a0Waaay better than many Broadway shows I\u2019ve attended!! \u00a0High fives to the superlative actors, director, set creators, stagehands and everyone else involved in this production – I\u2019ve recommended it to more than a dozen friends already. \u00a0Thank you!\r\n– Jo Anne Powell<\/strong>\r\n\r\nWe had a very nice time and are looking forward to the next production.\r\n– Richard & Ginny Poveromo<\/strong>\r\n\r\nWe took my in-laws for their 54th anniversary to the play & Stone Creek Inn they loved both as well! Great acting by ALL!!! Excellent play about Love and Marriage! Lots of laughs would highly recommend “Clever Little Lies.\u201d\r\n– Wini Jackson<\/strong>\r\n\r\nFabulous performance last night. \u00a0We all enjoyed the play. We will tell our friends not to miss it!\r\n– Susan Gellman<\/strong>\r\n\r\nLoved it! Firstly, the dinner at Stone Creek was a perfect warm up for the show. Good food, good service! Although I had seen Clever Little Lies on Broadway with the great Marlo Thomas, I was so impressed with Hampton Theatre\u2019s performance. Great timing, great sets, great direction. Bravo!\r\n– Linda Borenstein<\/strong>\r\n\r\nWe thoroughly enjoyed the show in every way. Loved the music which was played between scenes. We will spread the word re the show and look forward to the next production. \r\nMarge Brooks\r\n\r\nThe play was excellent. My husband \u00a0rated Clever Little Lies as one of his favorite. \u00a0The cast was also excellent. We are so happy we did not miss this play. \r\nThe story actually is reality in every family. Many thanks.\u00a0\r\n– Jenny &Vincent Filingeri<\/strong>\r\n\r\nLoved the Play: \u00a0the acting was superb; stage setting great \u2014 altogether \u201cBroadway Quality\u201d!!\r\n– Seija Hurskainen<\/strong>\r\n\r\n\r\nOne of our favorites! \u00a0\u00a0Truly a funny, powerful, and realistic plot. \u00a0We spread the word of your theatre to all of our family and friends. \u00a0Sometimes we bring guests to introduce them to your wonderful shows. \u00a0Thank you for your top notch play choices, actors, and kind professionals. \u00a0It is always an pleasant outing to look forward to every time we attend. \u00a0Thank you! \u00a0\r\nJudith Pfister and Nancy Skean\r\n\r\nI drove from Manhattan which took me a usual 3.5 hours. Seeing the play was a welcome relief after such a long drive and a long week. I truly enjoyed the performance and actors. The father was amazing with his expressions!!\r\nI could relate to the common issue in today\u2019s world of starting a family and the pressures that comes with being married.\u00a0The play was an excellent choice you choose. Looking forward to the next play in your series.\u00a0Best Regards,\r\n– Darryl Romanoff<\/strong>\r\n\r\n\r\nMy group of 4 thought it was an evening well spent. The show provided lots of discussion on the car ride home and even a few days later we were still analyzing it! Acting was superb. Sets were amazing. Continued success.\r\n– Joan DiMonda<\/strong>\r\n\r\nCLEVER: Everything about the production; The storyline which flies by…you gotta listen; The set that shows Sean Marbury at his very best; The cast that pits four HTC veterans that do their professional best to change your mind as the show goes on; The direction by Andrew Botsford that melds a nifty story into a superb show. LITTLE LIES: These are the little things said that grow into bigger lies and sometimes work their way back to the truth and then again…Must see this madly delightful comedy with touches of poignancy and walk out with a smile or maybe a touch of confusion. Great night at the Theatre!!\r\n– Don & Judy Gruhn<\/strong>\r\n\r\nHad a smile on my face throughout entire play!\r\n– Christine Katz<\/strong>\r\n\r\nWow, what a night. I have never been able to laugh about issues surrounding Infidelity, but surprisingly enough, I was finally able to and it was wonderful!\u00a0\r\nThe cast brought all the emotions: anxiety, anger, betrayal, and comedy to the stage in such a believable manner. I thought all 4 actors did an outstanding job, and Andrew Botsford, along with the rest of the wonderful people who made this play possible and enjoyable, did an outstanding job. The recreation of a vehicle on stage was incredible. Thanks for a great night.\u00a0\r\n– Margaret Grigonis<\/strong>\r\n\r\n\r\nWell done \u2013 acting \u2013 sets \u2013 and good playwright.\r\n\u00a0– Tom Hadlock<\/strong>\r\n\r\nEnjoyed the production so very much.\u00a0 Lots of laughs and thoughtfulness.\r\n– Lorraine Simone\r\n\r\nWe thoroughly enjoyed the show.\u00a0 I think it might be the best one we’ve seen in Quogue – thanks and keep up the good work!\u00a0\r\n– Christine Dortona<\/strong>\r\n\r\n\n <\/div><\/div>\n\r\n\r\nGallery – photos by Tom Kochie\r\n\r\n\n\t\t