About

In 1985, the HAMPTON THEATRE COMPANY began life on a shoestring and a dream at the Westhampton Beach Middle School with its first production, THE DIARY OF ANNE FRANK. The company has come a long way since its founding in 1984 by James Ewing, James Irving and June Ewing, when the company had no theater, no audience, no board of directors and no capital and performed in such dramatic venues as a tent pitched behind the Masonic Temple on Montauk Highway in the midst of an August hurricane.

Thanks to the generosity of the Village of Quogue, in 1987 the company found a permanent home at the beautiful Community Hall. There, and at other venues, the company has produced more than 100 plays by a wide variety of major playwrights. Information about the productions can be found in the PAST PRODUCTIONS tab below, or on our PAST PRODUCTIONS page. The Hampton Theatre Company today fills a unique niche in the Long Island performing arts landscape. From its start as a small community group bound together by a love of live theater, it has grown into a successful professional company: one that is still dedicated to the original dream of the founders and still proud to draw its talented performers and technical expertise primarily from the surrounding area, in order to present the very best in live theater in the fall, winter and spring on Long Island’s East End.

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It all started in 1984, with a conversation around a kitchen table in Quiogue. Rosemary Cline still remembers her (then mother-in-law) June Ewing and June’s son Jimmy talking with their friend Jim Irving about the idea of starting a theatre company. The plan was to gather like-minded individuals with an interest, training or experience in making live theatre, and then choose worthy plays and mount productions.
That was the seed, nurtured with love and tremendous creative energy by June and others, that eventually bloomed into the first production of what was then known as the Westhampton Community Theater: “The Diary of Anne Frank.” Rosemary had her first role with the company (of many over the years) as Miep in that very first show, staged in the Westhampton Elementary School in 1985, and went on to take roles in almost all of the plays of the company’s first six years.

Gary Hygom, now the executive director of the Suffolk Theater in Riverhead (and husband of HTC board member Mary Powers Hygom), was one of the first people approached by “the two Jims.” As he recalls, “I agreed to join them and help get things moving. Our tech crew was made up of friends and family: Peter Marbury and Jimmy Ewing worked on building, painting, lighting … everything. We were very much a community theater; we worked and went out together: the Plitt family, the Marburys, Jimmy, Robby Thornton and others.”

The Marbury family played a key role in building the company and sustaining it over the years. Peter Marbury and Jimmy designed and built almost all of the sets in the company’s first three decades. Diana Marbury, whose first role with the company was in “Hot L Baltimore” in 1986, went on to take part in almost every production: whether as an actor, set dressing, or gathering furniture and props. She moved into directing in 1999, and also held the post of artistic director for a number of years.

Diana made sure that others in her and Peter’s family contributed as well: son Sascha providing artistic and fabrication support; son Sebastian providing artistic support in poster design as well as acting; and son Sean taking a few roles in different shows and helping with set construction. After Peter’s untimely death in 2009, Sean took on his father’s mantle and became, initially with Jimmy, the principal set designer and builder until 2020.

Another formative influence in the early years was Jane Stanton, who directed the company’s third production, 1986’s “Bedroom Farce,” and went on to become the company’s de facto resident director. She helped choose virtually every show for the first ten seasons, as well as the plays that she would direct in the seasons that followed, when other directors stepped up to help shoulder the load.

A professional with years of directing experience at every level, Jane had a gift for putting together seamless ensembles from casts that had widely different levels of experience, training and talent. In those early years, primarily with Jane as director, the company started building and burnishing a reputation for high-quality productions and a level of professionalism that set it apart from typical community theatres.

So it made sense that by the time it landed happily in its beautiful home at the Quogue Community Hall with “Anastasia” in the fall of 1987, the company had changed its name to the Hampton Theatre Company.
In 1990, Jane invited Sarah Hunnewell – a member of the Snarks theatre troupe in NYC – to act in the company’s (first) production of A.R. Gurney’s “The Dining Room.” The experience led Sarah to return again and again; she bonded especially with Jimmy Ewing, and the two became a couple. After June Ewing died in 1992, it seemed fitting that Sarah and Jimmy should step into leadership roles; Sarah became HTC’s executive director, a post she held until she retired from the company in 2017, with Jimmy continuing as a board member, actor, director, creative contributor and set designer and builder.
It’s hard to overstate the impact of Sarah’s tenure with the company. When she started, tickets were general admission and sold either at Lynne’s Cards and Gifts (board member Lynne Jones’s Westhampton Beach mainstay) or at the door. Salaries, except for each show’s director, were nonexistent. There was no fundraising; proceeds from ticket sales went toward buying lumber for the next production.
Compare that with what the Hampton Theatre Company is now: a professional non-profit regional company with a vibrant interactive website, online ticket sales for assigned seating, playbills, and a year-round salaried general manager and bookkeeper. There’s pay for everyone who works on a show: not only the director, but all the designers, tech crew, carpenters, stage managers and actors. To augment revenue from ticket sales and playbill advertising, the HTC now utilizes an extensive snail mail and email database to support a series of robust fundraising initiatives and show promotion. Fundraising is critical, of course, because the professional status of the company and the high quality of HTC productions would not be possible without the generous support of patrons and donors.

Sarah needed help and support from everyone involved to shepherd the transition, but the HTC never could have entered the digital age or become the respected professional company that it is today without her commitment and determination.

On stage and off, the HTC has benefited from a long line of theatre people in addition to the Marburys who have come on board and stayed with the company. Andrew Botsford was invited by Jimmy Ewing to act in the company’s second production in 1985, and over the last 40 years he has appeared in more than 50 plays, worked backstage, held various positions on the board of directors and advisory board, drawn on his experience in journalism to oversee the company’s communications, and directed and produced.

Based on the company’s divergence from the standard nonprofit organizational model as well as the advisory board’s recommendations for greater sustainability, after Sarah Hunnewell’s retirement the position of executive director was eliminated. Andrew was elected president of the board and – together with his longtime collaborator and fellow founding member Rosemary Cline, who was elected vice president – started working toward systematizing all of the HTC’s operations.

The idea was, and is, to ensure that no single officer or member of the all-volunteer board would ever be responsible for an outsize portion of all the component duties required to keep the company operating efficiently, while still maintaining the high standard of production values that sets the HTC apart. As with Sarah, the value of Andrew and Rosemary’s contributions has been immeasurable. There would simply be no Hampton Theatre Company as it is known today on the East End without Andrew or Rosemary.

The same can be said of George Loizides, a longtime LI high-school drama teacher and director who spent years as a creative force at Bellport’s Playcrafters theatre troupe before landing at HTC in the cast of “Glengarry Glen Ross” in 2008. George has been indispensable to the theatre ever since, bringing an infectious enthusiasm to everything he does, from acting and directing, to designing and building sets, to fabricating and rummaging for props and vintage furniture at yard sales and thrift shops with his wife Kathy. George has also taken on the important work of administering the Diana and Peter Marbury Scholarship program, which has reaped huge rewards for the HTC and the live theatre community over the years

Upon his retirement from HBO in 2019, Quogue resident and longtime HTC fan Roger Moley immediately started pitching in, designing and creating projections for “Ken Ludwig’s Baskerville: A Sherlock Holmes Mystery.” He helped the company through the early challenges of Covid and was formally invited to join the board in 2021. Since then he has become a key player, taking on a wide range of responsibilities: serving as rehearsal stage manager, co-directing with George and then Andrew, serving as music director for the holiday radio plays, assuming responsibility for all PR and communications, wrangling set furniture and props, and also producing, most recently for “Now and Then” in fall 2024. Elected president of the board in 2022, Roger has substantially broadened HTC’s outreach and profile, and continues to collaborate with Andrew and Rosemary on the sustainability work they started in 2017.

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Continuity has always been one of the keys to the company’s growth. The through line of support from the Ewing family can be seen in June’s three grandchildren – Eliah Ewing and his wife Andrea, Jennifer Ewing Tatanelli Brancatelli, and Chloe Ewing Tatanelli Bento – joining the first class of the June C. Ewing Producers Circle in 2018, with Eliah pledging a lifelong commitment.

Onstage and off, the HTC has been shaped over the last 40 years by passionate advocates of live theatre, several of whom have been connected since the early years. Gary Hygom met his future wife Mary Powers working backstage on “Hot L Baltimore” in 1986; both worked steadily at the theatre in various capacities for several years before moving on. After a lengthy absence, both were coaxed to return: Gary to design the set for “Native Gardens” in 2021, and Mary, now a board member, to direct two plays in 2024: “Strictly Murder” and “Now and Then.” The couple’s daughter Grace, now a college sophomore, started working backstage while still in high school, and was the production stage manager for last year’s “A Funny Thing Happened on the Way to the Forum,” perhaps the HTC’s most ambitious production ever.

The late John Howard’s first show with the company was “God’s Favorite” in 1987; since then his daughters Siri and Joanna have both had roles in HTC plays. His wife Linda provided musical guidance for non-musical shows that required singing; and his daughter Jessica has worked backstage and acted in many productions over the years (most recently playing Domina in “Forum”). Jessica met her future husband, Seamus Naughton, during rehearsals for “Lady Windermere’s Fan” in 1998. Seamus had started working backstage for the company that year on its first production of “Sylvia”; he helped with set building and stage managing before becoming the company’s resident sound designer and audio engineer – a position he held until his untimely death in 2023.

Sebastian Paczynski first designed lighting for HTC for the company’s production of “Summer and Smoke” at Guild Hall in East Hampton in 2003. He installed a new lighting package in Quogue and designed the lighting for “Proof” in 2003, and has been the lighting designer for all HTC shows since then. In 2019, he proposed and won board approval for a major investment in LED theater lighting, making the HTC, after installation, one of the first theatre companies on Long Island to effect the transition. The capabilities of the new system were first displayed to glorious effect in “Man of La Mancha” in 2019, and have enhanced all the productions since then. Terry Brennan, the wife of actor, director and former board member Ed Brennan, was first hired as general manager in 2016, and in the years since she has brought the company forward in more effective and efficient organization, improved branding and messaging, and superior customer service. Bookkeeper Julie Stark, with the help of board member and former treasurer Lulie Morrisey, has managed to keep the increasingly complex accounts in good order, earning high marks for the company at each annual audit.

Teresa LeBrun began helping HTC’s original costume designer Chuck Roeder in 1986, and has designed costumes for all the company’s productions since 2005. Julia Morgan Abrams first joined the company as house manager for the 2008-2009 season and has been supervising volunteers, organizing concessions and greeting patrons for every production ever since.

The list goes on. Joe Pallister’s first role with the company was in “A Streetcar Named Desire” in 1998. While he continues with his acting career in different venues and media, he still manages the HTC website and his company, DESIGNINGJOE, does all the HTC’s graphic design – including the artwork for the poster and the cover of this program. AEA member Matthew Conlon (Don Quixote in “Man of La Mancha,” among many other roles) first appeared on stage in Quogue in “The Heiress” in 1994, and has continued to act and sometimes work on sets with the company up to the present day.

Add to this cast of characters the many other actors, directors, and crew members and theatre advocates who have helped shape the company’s identity over the years, including, to name only a few: Jane Lowe Baldwin, Bob Blaisdell, Chrissie DePierro, Carolann Di Pirro, Rebecca Edana, Ed Brennan, Phil Eberhardt, Jessica Ellwood, Gail Gambino, Ed Kassar, Tom Leo, Jean Plitt, Mary Alyce Vienneau, Morgan Vaughn, John Zaleski and current board members Amanda Griemsmann, Terrance Fiore, Catherine Maloney, and Betsy Webb Rowe.

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A shared passion for creating live theatre of the highest quality by these and many other contributors has fueled the success of the Hampton Theatre Company over the past four decades. That’s not to say there haven’t been challenges. A necessary major renovation of the Quogue Community Hall that took almost four years to complete led to a nomadic stretch for the HTC: the company staged 10 shows at the Westhampton Beach Performing Arts Center and Guild Hall in East Hampton from 2000 to 2004. More recently, during the Covid pandemic, the HTC painstakingly adopted the necessary protocols to allow it to reopen its doors – at first to spaced-apart audiences at one-third of house capacity – to live audiences in 2021. The company stayed the course, following the law and requiring proof of vaccination from faithful patrons, when many small regional companies around the country were forced to go under.

Following the success of the initial phase of changing over to LED lighting, in 2024 board vice president Rosemary Cline, with the help of audio engineer Jonathan Presto, put together a two-year purchase plan for state-of-the-art personal body mics for every actor appearing in HTC productions. While the cost is high, the value for HTC audiences and actors is immeasurable, as patrons who saw this fall’s production of “Now and Then” can attest. Dedicated fundraising for the new mics is underway now; next up will be the second phase of transitioning to LED lighting.

Through it all, and buoyed by the support and encouragement of its devoted patrons and donors, the HTC has been guided by the company’s commitment to its original mission: “to create and support, using local resources whenever possible, a theatre community dedicated to presenting live theatre of the highest quality. Our goal is to enlighten, entertain, and inspire while reflecting the complete spectrum of the human experience, as we work to ensure that all voices are heard and represented in productions accessible to the broadest possible audience.”

PARKING: There is limited street parking around the theater as well as a parking lot that can be entered just north of the Quogue Community Hall.

WHEELCHAIR ACCESS: The theater is wheelchair accessible through the side entrance. If a member of your party needs wheelchair access, please come to front entrance and ask the person taking tickets to open the side door. If a member of your party requires a wheelchair in the theater, please reserve one seat at the end of a row.

ASSISTED LISTENING DEVICES: The theater does not have assisted listening devices at this time.

ARRIVAL

The theater will open 30 minutes prior to showtime; patrons are asked to arrive approximately 30 minutes prior to the performance so that all ticket holders may be seated in a safe and timely manner. There is ample parking in the Village lot behind the theater and the firehouse and on the street. Latecomers arriving after the performance has started may be seated in the rear of the theater. CELL PHONE & CAMERA USAGE

Hampton Theatre Company asks that you turn off or silence all noise-making electronics, text-messaging devices and cell phones during the performance. Taking pictures and video recording is prohibited inside the theatre. CHILDREN

No Children under the age of 5 are permitted in the theater. All persons entering the theater must have a ticket. Please carefully consider whether a performance is appropriate for your child before planning to attend. Also, please be aware that disruptive patrons, including children, will not be allowed to remain in the theatre.

DRESS CODE

Hampton Theatre Company has no formal dress code: although shirt and shoes are required at all times. In addition, please consider the effects of strong perfumes and colognes on those seated around you. FOOD & BEVERAGE

Concessions are available prior to the performance and at intermission. Proceeds are credited
to the Diana and Peter Marbury Scholarship Fund. Additional donations always welcomed. Outside food and beverage is prohibited.


LOST & FOUND

Hampton Theatre Company manages any items left behind. Items considered “lost & found” will be kept secured in our box office for up to 30 days. If you have lost an item at Hampton Theatre Company, please call 631-653-8955. DISRUPTIONS DURING PERFORMANCES

Loud talking, texting and other disruptions are not tolerated. Anyone disturbing the audience or interfering with the performance will be required to leave with no refund forthcoming.

RESTROOMS Men’s and women’s restrooms are available inside the theater and are available once the theater is open, usually 30 minutes prior to the performance.

SMOKING Smoking, including electronic cigarettes and other devices is strictly prohibited anywhere inside the Quogue Community Hall.

HANDICAP ACCESS

Hampton Theatre Company is handicap accessible. A handicapped accessible entrance is located on the right (north) side of the building. Please use the driveway on the north side of the theater and ring the bell marked HTC Handicapped at the ramp entrance to the building and a volunteer will assist you; or have a member of your party notify us on arrival at the box office if you’d like to use this entrance. PETS

Although animals are not permitted in the theatre, an exception is made for guide dogs and service animals. Patrons must contact the box office at 631.653.8955 or info@hamptontheatre.org if you will be attending with a guide dog or service animal. REFUNDS/EXCHANGES

Tickets are non-refundable. Exchanges may be made if the office is notified (631-653-8955) at least 2 hours prior to that performance and based on availability. FACE COVERINGS

Although face coverings are optional, some audience members may choose to wear them in the theater. A supply of face masks will be available in the lobby.

As part of the Hampton Theatre Company’s commitment to our community, and to honor their dedication over many years to the highest standards of artistic excellence, the HTC offers Diana & Peter Marbury scholarships annually to graduating seniors from local high schools who have shown outstanding ability in the performing arts, whether in high school or at the community level, who plan to pursue further education in the performing arts after graduation. To date, Hampton Theatre Company has awarded over $30,000 in scholarships.

Scholarships have been awarded to:

Meet our new President – Rosemary T. Cline

Rosemary T. Cline is excited and honored to be the sixth president of the HTC: June Ewing, then Gail Gambino, Sarah Hunnewell, Andrew Botsford and most recently, Roger Moley. As a founding member, principal actor and director, it is Rosemary’s privilege to add her name to that lineage. The HTC has been a warm and welcoming artistic home to so many in its 40 years. She and the team will continue that tradition by building on the strength of its foundation with continued growth in every area of the organization. Being a part of the HTC family is inspiring; as an audience member, from onstage, and as a crew or tech or office person. She’d like to share that experience with as many people as possible.

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Meet our new Vice President – George A. Loizides

George is proud to be the new Vice President of the Hampton Theatre Company and honored to serve with Rosemary, Mary and Lynne. He welcomes Nick Auletti to the Board of Directors. George has been with HTC since 2008’s production of Glengarry Glen Ross. Since then he has acted in 11 other company productions. He has directed 12 productions for HTC, most recently Who’s Afraid of Virginia Woolf. He has been an actor and director for more than 55 years. He is a member of the Artistic Committee and Administrator for the Diana and Peter Marbury Scholarship. As the new VP he pledges to uphold the high standard of excellent theater for which HTC is known.

On a personal note, G loves fishing but would prefer more catching. Spending time on the water on his boat the Polar Express is a great way to chill. Time spent in the garden also smooths out the rough edges. He and Kathy, his wife of 55 years, love to get photos and videos of their granddaughter Corinne 3 ½ as she has taken up dance and soccer. Life is good.

What is theatre? – “What literature does at night.” – George Jean Nathan
“Acting is merely the art of keeping a large group of people from coughing.” -Ralph Richardson

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MARY POWERS (Director)
Mary has worked extensively as a director and as a producer for 30 years. Some favorite productions include Vincent, Steel Magnolias, Respect, Don’t Dress for Dinner, Lost in Yonkers, I Am My Own Wife, Greater Tuna, Lips Together, Teeth Apart, Lend Me a Tenor, Run for Your Wife, Barrymore, I Hate Hamlet, Nunsense, Little Shop of Horrors, Beehive and Hamlet. Most recently she has directed Strictly Murder, Now and Then and produced Who’s Afraid of Virginia Woolf? for HTC. She is happy to rejoin old friends at HTC, where she now serves as a board member.

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Meet our newest board member – Nicholas Auletti!
Nicholas Auletti is honored to join the Hampton Theatre Company board and looks forward to contributing to this new chapter in his theatrical journey. An actor, director, and all-around enthusiast, Nicholas has had the privilege of performing with several East End companies. Some of his roles include Pseudolus in A Funny Thing Happened on the Way to the Forum (Hampton Theatre Company), Jack Gable in Leading Ladies, and, most recently, he served as the Technical Director for a One-Act Festival.

Nicholas is a graduate of Lycoming College with a B.A. in Theatre (Acting Concentration) and has gained diverse experience both onstage and behind the scenes. He is grateful for the chance to continue developing his craft as part of the Hampton Theatre Company.

He is dedicated to fostering vibrant performing arts on the East End and looks forward to contributing his energy, creativity, and collaborative spirit to the Hampton Theatre Company’s ongoing success.

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Andrew Botsford – Board Member
Andrew Botsford has been working with the Hampton Theatre Company since the second show the company put on, a twin bill of “A Christmas Carol” by Charles Dickens and “The Long Christmas Dinner” by Thornton Wilder in December of 1985. His love of theatre was first cultivated by acting in school productions from third grade through high school, where he served as president of the Drama Society.

Before joining the company in 1985 at the invitation of HTC co-founder Jimmy Ewing, he studied acting at HB Studio in New York. In 1987 he returned to work at The Southampton Press, where he served as associate editor of the Press family of newspapers until joining the faculty of the Stony Brook Southampton MFA in Creative Writing program in 2011. He continued to study acting, directing and playwriting in the short-lived but brilliant MFA in Theatre program at the Southampton campus.

His now occasional online column about Quogue, AtQuaquanantuck.com, was posted weekly from 2017 to 2020 and then regularly until 2023. For HTC, he has had roles in more than 50 productions and directed seven. He has hosted a summer film commentary and interview program at the Westhampton Beach Performing Arts Center for 18 years and served as the host of the annual Hamptons Doc Fest documentary film festival in Sag Harbor since its founding in 2007.

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Amanda Griemsmann – Board Member
Amanda has been a proud board member of the HTC for 3 years. In addition, she also serves on the Artistic Committee. She joined the HTC Team back in 2014 when she was in her first production Harvey. Since then, she has been in many HTC productions Including the most recent production of Who’s Afraid of Virginia Woolf? She has also stage managed for several seasons with the company. She received a BFA in Theatre from Adelphi University. Amanda is very honored to be a part of HTC and hopes to continue to be a part of this wonderful professional company for years to come.

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Catherine Maloney – Board Member
Catherine began her journey with Hampton Theatre Company in 2011 when Director Sarah Hunnewell cast her in My Three Angels. Since then, she has had the pleasure of performing in 10 other company productions. Catherine has also worn the hat of Rehearsal Stage Manager for several HTC shows. She proudly joined the Board in the Spring of 2024, and has been busy with fundraising and enhancing the company’s programs to include a broader advertising base.

Catherine has had the honor of performing in several Long Island theaters. Her most recent role portrayed the iconic Almira Gulch and The Wicked Witch of the West.

Catherine’s love for the stage is only one aspect of her respect and adoration for HTC. It is the camaraderie the theatre creates; it is a place where artistic minds collaborate to bring joy to their patrons; a space where people gather and pause the stresses of everyday life. Catherine is devoted to contributing to HTC’s high standards of professionalism, honing her craft as an actress, and looks forward to fostering new & old friendships within its community.

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Lulie Morrisey – Board Member
Lulie Morrisey has served on the HTC board for over 15 Years – as Treasurer until 2023. She joined the board because of her love of theatre and her high regard for the work of the Hampton Theatre Company. Lulie, who lives in Quogue, is also a collage artist and her work is in private collections in New York City, Long Island and Italy.

“To sit in a theatre, surrounded by the rest of the audience, and share in the telling of stories, with the empathy and reflection that creates – is something both meaningful and joyful to me.”

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Betsy Webb Rowe – Board Member Betsy volunteers with numerous East End and New York City-based not-for-profits. She worked in a law firm and church administration before retiring in 2001. She enjoys volunteering, traveling to visit family and spending time with her husband David and two adult children, Schuyler and Tommy. Although she has not been a part of HTC as long as her high school buddies Lynne and Rosemary, she and her family have had a lengthy relationship with our sister theater company, the Quogue Junior Theater Troupe. Betsy is a proud fourth generation “Remsenburg-er” (first generation local). She now divides her time between New York City and Quogue.

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The mission of the not-for-profit Hampton Theatre Company is to create and support, using local resources whenever possible, a theatre community dedicated to presenting live theatre of the highest quality. Our goal is to enlighten, entertain, and inspire while reflecting the complete spectrum of the human experience, as we work to ensure that all voices are heard and represented in productions accessible to the broadest possible audience.

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To our patrons, supporters and friends: At this painful time for our country, we recognize the history of injustice that black Americans, indigenous people, and persons of color have suffered for centuries. We stand with those who believe that the time is now to strive to make our society a safer and more just place for those who have been denied their basic human rights for far too long.
We theatre artists are dedicated to the longstanding tradition of providing what we believe to be essential services: our job is to tell stories spanning the breadth of the human experience, and in turn to enlighten and uplift, as well as to entertain and to heal. We need to keep telling those stories—stories that shed light on our common humanity—and the HTC is committed to continuing to present plays that represent all voices in our community.
As Kenny Leon, director of this season’s “A Soldier’s Story” on Broadway, recently commented: “Theatre is a safe way to learn about one another—to sit in a dark theater and look at actors onstage tell a story. To uplift our world with what we do.”
As a nation, we need to reflect, examine, listen and learn. As a theatre company we pledge to do just that, and to respect the dignity and worth of every person (regardless of race, ethnicity, religion, gender, immigration status, sexual orientation or any other distinction.) As a first step, we are revisiting our mission statement to ensure it is in line with these goals.
The creative arts have the power to shine a light on the deeper unity we share with all people and to lift our minds and spirits as we work to find a more just and better way forward. The well-being of each person is a responsibility for every one of us.
Sincerely,
Andrew Botsford
President

 

For the Hampton Theatre Company board of directors: Andrew Botsford, Rosemary Cline, Terrance Fiore, Lynne Jones, Lucinda Morrisey and Betsy Webb Rowe

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